Ink Woes

"1 teaspoon Dragon's Blood Resin (powdered)
15 teaspoons alcohol or vodka
1 teaspoon gum arabic (ground)

Soak the powdered resin in the alcohol until dissolved, then add the ground gum arabic. Filter through a cloth and store in a dark bottle."

 

This is one of the many examples of the magical ink recipes that proliferate through the internet and chances are you will find it repeated in numerous websites. If you follow this recipe with no knowledge of what you are doing, you will achieve nothing. There are no words to describe the contempt I felt when earlier this week I received a much expected formulary on the mail regurgitating the same misinformation one can find on any website. People that have successfully crafted inks understand that the folks who copy-paste said recipes have never attempted to do them themselves by the sheer mistakes in the instructions given or the ingredients used but those that are freshly arrived at the fine art of ink making and that in their naivety trust these sources (and yes, I was one of them), will find that their efforts will only be met with frustration at the failed attempts, the time spent and wasted ingredients. There is also a difference between creating an ink and creating a magical ink. The first is devoid of spirit and flame, made according to the commercial principle of monetary profit and only a vehicle for writing; the second, however, is an entity in itself and a celebration of the witch's skill with fruit, plant and resin as well as her knowledge of the light and shadow world. Being one of the chief tool in the scriptorium, done well, its purpose will be crystallized for several years and all the while it will absorb and augment power of its own, however, like with all living tools, it's crafting requires art and care so that all the spirits and menstruums involved in its fabrication are propitiate to its birth.

The simplest of inks requires only the soot of burnt wood, water and a bit of Gum Arabic to stabilize the ink and allow fluidity of pigment. Because one can use virtually any kind of wood to make inks and shrubs and trees are amongst mankind's oldest allies and companions, this simple process makes very interesting inks. Graveyard Cypresswood ink for rites of Necromancy, Midsummer 7 Wood Bonfire ink for glorious tales of success, perhaps even ink from an old household item whose importance is now continued in this new form to which you can add ash from relevant items. Since this type of ink is water based and thickened with a water soluble agent, there is virtually no end to the combinations you can do so long you pay attention to what you harvest, where, how and if those things are actually water soluble.

Despite the simplicity of the method detailed above, three inks gained popularity amongst magicians. They are the Dove's blood ink, to be used in the affairs of the heart; Bat's Blood Ink for acts of malecifium and Dragon's Blood ink, a general empowering ink. Because these inks require two types of menstruums, alcohol and water, they are trickier to make, unless, of course, you decide to go with the animal's blood on the first two and discard the botanicals and oils that compose the modern recipes. As wrongly detailed on the first recipe given, you can't mix gum Arabic to alcohol and get a workable result. These three famous inks rely on essential oils, resins, ashes of botanical allies; each of these dissolves in different menstruums. As a rule of thumb, oils and resins dissolve in alcohol (in my experience, Ethanol is the best alcohol to keep the oils in solution without having to add oil emulsifiers to the mix and complicate it a bit more), whilst gum is water soluble. Since alcohol mixes with water, after the initial (di)solution of the oils and resins in the water, the dissolved gum Arabic is later added. This stage is tricky and the best teacher to overcome it is experimentation. One tip that was given to me was to add liquid gum Arabic – sold in art stores – to the solution. When all is mixed and workable, all is left to do is to strain and store in a well corked bottle.

As you can guess, there are many more ink crafting methods. From the pre-historic ochre based to the XIX century sepia ones. Some involve only soot of botanicals, others also include soot of burnt animals; some use only water and a gum thickener, others include different greases and oils; ink making is a rich enough craft that allows for years for experimentation.

Hekate Chthonia

Hekate, the mistress of the hidden faces, whose power extends over the three realms of Earth, Sea, and Sky, bears her countenance in veiled grace. Both a chthonic goddess and a sky divinity, She is the axis that binds the cosmos and her titles and functions unravel Her as the hidden initiatrix and witch queen, guide to the underworld and ruling power of crossroads and liminal places. It is to her that we turn our infantile faces, in the game of shadow and twilight.

We call you now, Mistress, by the holy names of Dog, Bull and Lioness, to guide the hand that reaches through thy Many Guises.
Hear now, “You, o Hekate,
Who know untold desires that work our will
And art the mistress of our secret spells.”
                                                                  Metamorphosis, Ovid.


Chthonia – Earthly one, I call thee

In book 6 of Aeneid, the work by roman poet Virgil that details the events that followed Aeneas escape from the fallen Troy until his arrival to Italy, the hero encounters the Sibyl of Cumae who helps him travel to the underworld. The Sibyl was Hekate’s appointed keeper of the Avernus Wood, the entrance to the underworld, and she was by the Goddess shown all the punishments of Tartarus and how to control and tend to the holy entrance. 

“Hear now, o Infernal Teacher, thou who appointest the keeper to the earth’s bowels”

As Chthonia, this goddess bears a terrifying nature as a ruler of daimones and a night wanderer amongst the graves surrounded by a host of specters. Her power over the dead made her a figure commonly invoked on the defixiones. One such example invokes her nature as the dread queen in a homoerotic piece of Alexandrian provenance:

 “I call upon you, mistress ruler of all mankind, all dreadful one, bursting out of the earth, who also gathers up the limbs of Meliouchos and Meliouchos…”

This bursting out of the earth, or breaking the earth open as it is referred to in some sources also granted her the name of Nexichthon, closely related to her function has the key bearer of the underworld.
Dogs are sacred to Hekate, being both her offering, companions and announcers:

“And to Hekate Chthonia, before who even the dogs tremble as she moves among the graves and the dark blood of the dead” – Idylls, Theocritus.”
“Then the earth began to bellow, trees to dance and howling dogs in glimmering light advance. Ere Hecate came” - Aeneid, Book VL, Virgil


Of relevance to this title is what is described in the Orphic Argonautica as Hekate’s Garden, a collection of plants that were associated with the goddess, some of which include aconite, ebony, garlic, mandrake and oak.


Open the thrice folding Ebony gates and lead us into your pleasure garden, where we can taste of thy poisoned fruit and partake in thy forbidden arts.

Lexicon Pharmaceuticum

I've been kinda busy with work and other pursuits so i'm just stopping by to give readers a text that I re-discovered whilst investigating for 3 new tinctures i'm about to make as a by-product of my work with Daniel Schulke's Viridarium Umbris and Ars Philtron. I'll post about them later when they are actually sitting and waiting for the Spirits to work their magic, in the meantime, let me tell you about the book

It's complete title is "Lexicon Pharmaceuticum, or a pharmaceutical Dictionary, comprehending the pharmcopeias of London, Edinburgh, and Dublin, with a variety of other useful information relative to medicine and pharmacy." by Thomas Castle. We have acess to 1828 2nd edition and you can easily find it in google books, available for download in PDF format (obviously legal since the work is now public domain).

It is not a substitute for modern (good or excelent) herbals and some of its "advice" brings about a hearty chuckle, but nonetheless, it is packed with a wealth of advice on procedures, dosages and common terms to help a herbalist find its way and cross reference modern and more ancient sources. I haven't yet had the time to fully grasp its potencial (or flaws), but its worth is already shining through.